A Wall in Maras, Peru

I discovered this building with its colorful wall in Maras, Peru at the site of the ancient salt pans or ponds, known locally as the Salineras de Maras.

I was struck by how the rectangular colored shapes on the wall echoed the rectangular plots of salt, and how the edges on the wall’s painted shapes were modified to accommodate the roof line in the same manner that the mostly rectangular plots were modified to fit the contours of the terraced hillside.

There are thousands of these salt ponds on the hillside. An underground stream rich in salt and minerals water was discovered here by pre-Inca communities. They made channels to direct the stream into the ponds. The ponds are tended by local families much as they have been for centuries.

A Nice Review

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A juried photography exhibit in the New Marlborough, MA Meeting House Gallery, which ended in June, included two of my recent prints. One was taken in Lima on a trip to Peru, the other in Manhattan.

The TriCorner News, a local newspaper that covers towns in northwest Connecticut, southwest Massachusetts, and nearby New York, reviewed the show and said:

Lee Backer entered two wonderfully different shots. In “Amarillo,” a study in diagonals, light and shadow, a boy and girl sit on a low concrete or adobe wall, their backs to us. In front of them is a reddish wall partially in heavy shadow, behind them a sunlit downward sloping path. In “Alice Tully Hall,” the vertical panels of the refurbished Lincoln Center theater reflect the activity of the busy Broadway neighborhood. It is prismatic, bright, colorful.